At the edge of ecological collapse, Huella (a trace, an imprint) unfolds around an ambiguous waterfall carrying water’s memory, as new geologies emerge. Through eco-poetic symbolism, an installation-performance of textural and flamenco soundscapes traverses dissonant yet porous, solastalgic bodies and landscapes, entangled in the waterfall’s trace.

Opening onto an uncertain time between an altered present and a future archive, the waterfall is a witness whose memory holds traces of play, intimacy, human contradiction, animal passages, altered ecologies and persistent materials.

Huella emerges from the lived tension of perceiving ecological alteration while inhabiting everyday life, resonating with solastalgia.

Lorca’s Poeta en Nueva York, Suites and Libro de poemas are undercurrents.

Isadora is a French-Tunisian artist and researcher working across movement, performance and installation. Her practice draws on improvisation, Vogue and flamenco aesthetics, engaging with femininities, ecological transformations and more-than-human experiences, with materials as spaces for transformation and play.